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Only problem I've had is to get just a bit of sag into the wires. The prototype are rarely piano wire tight.
I worked on getting a little sag in my lines for a long time and decided it was just beyond my modeling capabilities to do it correctly over more than a single span.I have been able to get sag on the radio lines of some of my ships using very fine nylon, but the masts are a lot more rigid than your ordinary telephone pole and, again, it's only for a span or two. It's such painstaking work that I usually don't bother, and no one notices. I have strung wires tautly, and then tried to stretch them enough to sag. By the time I got anything to sag, the lines looked more like twisted spaghetti strands.I have used very fine piano wire with 90 degree bends at each end that were stuffed into drilled holes on yardarms. The length between bends was just slightly more than that of a straight line. Glued properly, the wire could spring up (wrong) or down. But the wire was really too thick, prone to kinks, and probably more fragile than nylon. Also, the wire was not thick enough to really hold the 90 bend. I've never incorporated it into models--by the time I got it with the proper sag, there was superglue all over the joints, kinks at the bends, different sags, different arcs, etc.I've thought, after watching nylon thread unravel when exposed to solvents in dullcoat, that maybe I could . . .No, I've given up on this effort.
EZ Line sags very nicely, but it's a time-consuming procedure (especially if you want all the lines to have the same sag). Unlike you guys, I've never been ambitious enough to string up more than a couple of lines per pole.Cheers,-Mark
Mark, those look fantastic!I'm guessing you stiffened them with glue. That obviously removes any if the elasticity that makes EZ Line so much less of an operational headache than thread.